During the Human Rights Film
Festival I saw the film Reportero, which was directed by Bernardo Ruiz.
This documentary follows the journalistic life of Sergio Haro and his
colleagues at Zeta, a weekly paper based in Tijuana. Because of corruption and
danger (granted this is the case in most of Mexico but Tijuana is worse by far)
it is very difficult to be a reporter. Rather, it is very difficult to be a
good reporter who is willing to write the truth. This idea of the moral responsibility
for truth telling is central to the work of Sergio Haro, whose life is in
constant threat. Three people have been attacked, resulting with founder Jesus
Blancornelas barely surviving and the death of two other main reporters. This
documentary illuminates the dangers of living within a “drug war zone”. It
shows how the Mexican government has consistently failed to take care of its
people and allowed drug lords to govern the country through corruption and
impunity. Along with this is the issue of media censorship on the behalf of the
government.
This film effectively shows
how the truth can be a threatening force for a system. Tijuana drug cartels are
still threatened by the possibility that the masses can know the truth. In the
film they describe how Haro and the other editors of Zeta published the faces
of every hired gunman for the cartel. These were normal men who were a part of
the community and now their dark secret was revealed. And of course this is
unsettling for the assassins—whether for issues of accountability, secrecy, or
shame. The public officials involved in drug cartels are also at risk of
exposure so controlling the media is in their best interest. There needs to be
a standard of truth and freedom of speech but the budding relationship between
the Mexican government and drug cartels stands in the way of this.
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